![]() ![]() The mattes had to be built up, so more on the sheer side than ultra pigmented, but this allows for them to blend easily. This is my first time using the palette and it’s the first time in a long time that I’ve used BH Cosmetics eyeshadows. Thankfully, Carli’s site was able to handle the traffic. BH Cosmetics’ website kept failing when I tried to purchase the palette. ![]() I recently bought the Carli Bybel Deluxe Palette from Carli Bybel’s website. These voicings are an essential part of his sound, and make great blues chords when you want to pack a lot of color into just a few strings.ĭigging these free blues guitar lessons? Check out 30 Blues Intros, Turnarounds, and Endings You MUST Know.Today I’m sharing my BH Cosmetics Carli Bybel Deluxe Tutorial for Hooded Eyes. The back half comes straight out of Ed Bickert, the tele-wielding Canadian jazz master. The first half of this lick feels like a Kenny Burrell type of move, both the compact chord voicings (and the semi-suspended sound of the ii chord) and rapid, syncopated strumming of same. With a little practice, you’ll be saying “Bigsby? Bigsby who?” Blues Turnaround Guitar Lesson – Toronto Tele For that first Gmin voicing at the top of bar 1, yes, grab one note per finger and give the whole chord some vibrato. This turnaround combines single-note phrases with root-targeting and chord fragments, with some raked double-time thrown in for good measure. Blues Turnaround Guitar Lesson – Vibro Champ That’s all bookended by basic minor pentatonic licks, to keep things from getting too uncontrollably jazzy. While we’re at it, we’re using that double time to spell out a bit of the dread diminished sound, using it as a passing chord from IV back to I (D to D#º to A7). Watch out for the quick jump from third to first position and back again on the last three notes of measure 4! Blues Ending Guitar Lesson – You Say Diminish, I Say Demolishįor this ending, we’re sneaking a little squared-off, sixteenth-note double time into the slow blues groove. Blues Ending Guitar Lesson – Double-Timeįor this ending, we’re combining the Buddy Guy single-note boogaloo move (the front half of measures 1 & 2) with the “Killin’ Floor” chromatic climb (the back half of measures 1 & 2) and taking the whole thing into double-time overdrive for the extended two-measure conclusion in measures 3 and 4. From here, you could roll right into the IV chord, or measure 5 of the blues. The spare, three-note Freddie Green-style voicings for the half-stepping chord hits are answered by pentatonic licks with half-step bends to the b5, which themselves have a call-and-response pattern which culminates in the double-stop bend lick in measure 4. You could drop this stop-time intro into the first four bars of the blues form. Blues Intro Guitar Lesson – All The Hitsĭownload the tab & notation for this blues intro guitar lesson Here, we’ve got a more flexible electric guitar version of the same idea, transposed through all three chords of a turnaround in E. In its original context, it’s played on the I chord as part of a fingerstyle arrangement in A. This is an adaptation of the classic A9 move from William Brown’s 1942 “Mississippi Blues”. Blues Ending Guitar Lesson – Meade Lux Deluxeĭownload the tab & notation for this blues ending guitar lesson There’s a Charlie Christian-esque vibe to the way the descending lick that follows spells out the A chord, and the blues licks in measures 2 and 4 are an open-string version of the conclusion to Shuffle Intro 2 above. The double stop at the end of the same measure leads you headlong into measure 2 by anticipating the A7 chord the rhythm section is about to hit. Here in the open position, we kick off this turnaround move with a unison slide to a B at the start of measure one. For the full course, check out David Hamburger’s 30 Blues Intros, Turnarounds, and Endings You MUST Know on TrueFire! Blues Turnaround Guitar Lesson – Open Mindedĭownload the tab & notation for this blues turnaround guitar lesson Here are 7 free blues guitar lessons from the course. In his course, 30 Blues Intros, Turnarounds, and Endings You MUST Know, David Hamburger teaches you a couple of each of these important parts over a handful of indispensable blues grooves. So, it’s wise to spend time nailing these parts so you can do the song justice! There are a few crucial, distinct parts of any blues song that gives it its character and “claim to fame.” Intro parts, turnarounds, and ending parts really define the song as a whole.
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